Public mural project transforms airport roundabout into cultural canvas

A vibrant tribute to Jamaica’s natural heritage and cultural spirit now greets travellers at Norman Manley International Airport’s (NMIA’s) prominent roundabout.

The transformation of the NMIA Flag roundabout from functional infrastructure to cultural landmark represents a distinct investment in public art that celebrates Jamaica’s identity. The newly completed mural, by Matthew McCarthy, was commissioned following an open call earlier this year by PAC Kingston Airport Limited (PACKAL).

The submission by the Kingston-based muralist was selected from 10 shortlisted designs by a multidisciplinary, multistakeholder committee.

The mural’s design philosophy centres on the concept of movement - both literal and metaphorical. “The NMIA aspect of the design is inspired by the natural air traffic in the sky,” McCarthy explains. “Just as airplanes travel to various countries, this piece captures a snapshot of both endemic and migratory bird species as they land and take flight.”

These avian figures rest strategically on letter angles, creating a kinetic viewing experience as visitors navigate the roundabout. The birds appear and disappear with movement, mimicking the rhythm of air travel itself - a dynamic visual effect that transforms the static roundabout into an ever-changing artwork that represents the airport’s purpose while celebrating Jamaica’s rich biodiversity.

The ‘Kingston’ lettering employs a different artistic strategy, with each letter embodying specific aspects of Jamaican identity: Kingly (K), Instrumental (I), Negritude (N), Gold (G), Sync (S), Tenacious (T), ‘Outdeh’ (O), and Natural (N). “The intention was to warmly welcome those entering the country, evoking a sense of nostalgia for the culture that some may be returning to,” McCarthy notes about his design approach.

This symbolic framework creates layers of meaning that resonate differently with various viewers, offering nostalgia for returning residents while providing cultural discovery for newcomers.

McCarthy’s execution required careful consideration of environmental factors and longevity. “Oil paint was the best option to ensure long-term adhesion,” McCarthy explains about his choice of oil paint, which ensures colour vibrancy and weather resistance, which are crucial for work exposed to Jamaica’s tropical climate.

Given the nature of the “canvas” - 3D letters mounted on a base, Matthew also pulled on his team to help him achieve his vision.

Early public response indicates the mural’s success in transforming a utilitarian space into a cultural focal point featuring a 30-foot by 15-foot Jamaican flag.

The work has already generated spontaneous engagement, with motorists stopping to view the art as well as take photos. This new cultural landmark now joins various other pieces of art throughout the Kingston airport spaces, greeting thousands of visitors annually.